The Museum of Applied Arts and Sciences acknowledges Australia’s First Nations Peoples as the Traditional Owners and Custodians of the land and gives respect to the Elders – past and present – and through them to all Aboriginal and Torres Strait Islander peoples.
Aboriginal and Torres Strait Islander peoples are advised that the MAAS website contains a range of Indigenous Cultural Material. This includes artworks, artifacts, images and recordings of people who may have passed away, and other objects which may be culturally sensitive.
2000/66/123 Cinema poster, paper, Annette Kellerman, Sydney Opera House, Australia, 1976-1980. Click to enlarge.

‘Million Dollar Mermaid’ cinema poster

Made 1976-1980
This poster is part of a substantial collection of costumes and props used by Annette Kellerman (1886-1975). She became an international celebrity as an endurance swimmer, an entertainer of the vaudeville stage and a star of American silent films. She played a key role in popularising the one-piece swimsuit for women.

Born in Sydney, Kellerman took up swimming as a child to strengthen her semi-crippled legs. She became a champion, setting a New South Wales record for the 100 yards and a world record for the mile.

In 1905 she travelled to England where she made headlines by swimming over 13 miles down the River Thames. She swam the River Seine in a race, coming equal third against 17 men, and won a 22 mile race down the Danube. She almost succeeded in swimming the English Channel.

It would have been impossible to make these long-distance swims in the stuffy garments that female bathers were expected to wear. Kellerman preferred a skirtless men's racing swimsuit which revealed half her thighs. Defying convention, she was responsible more than any other person for the gradual acceptance of the one-piece bathing suit.

Kellerman retired from racing and turned to the stage, developing a spectacular form of entertainment that combined diving into a glass tank, swimming and graceful underwater ballet.

She moved to the United States in 1907 and within a remarkably short time became one of the most highly paid stars in vaudeville. Dubbed 'The Australian Mermaid' and 'The Diving Venus', she had a genius for publicity and self-promotion. However the story that she got herself arrested at Boston's Revere Beach for wearing a one-piece bathing suit is not supported by evidence.

She augmented her stage act to include wire-walking, ballet dancing, acrobatics, diabolo, singing, physical culture, male impersonation and the elaborate staging of tanks, waterfalls and slides. She trained a large chorus of 'Kellerman girls' to accompany her in a form of choreographed water ballet, a forerunner to the modern sport of synchronised swimming.

The first Australian woman to star in American movies, she played a daring mermaid action hero in several feature films with fairy tale storylines. With its extensive underwater scenes, 'Neptune's Daughter' (Universal, 1914) was a box office success. She showed her dancing and acting skills in the lost film 'A Daughter of the Gods' (Fox, 1916), the first US production with a million dollar budget. Esther Williams portrayed Annette Kellerman in a 1952 Hollywood biopic, MGM's water spectacular 'Million Dollar Mermaid'.

As an entrepreneur, Kellerman lent her name to various styles of one-piece swimsuit. She published books instructing women on beauty and physical fitness, and lectured on health and exercise. She was judged as 'the perfect woman' by Dr Dudley Sargent of Harvard University. Her 'ideal' physique personified a new aesthetic of natural female beauty, one that valued athleticism and unadorned bodily display. In this way she was a trailblazer for the modern woman.

Kellerman was active in Australia during World War II, writing, producing and performing in fundraising shows for the Red Cross. Later she returned to live her final years on the Gold Coast.

Peter Cox
Curator
January 2016

Summary

Object No.

2000/66/123

Object Statement

Cinema poster, paper, Annette Kellerman, Sydney Opera House, Australia, 1976-1980

Physical Description

Large colour poster which features a white background with red, blue and black detail. Caption 'Splish Splash' appears in a semi-circle shape at the top in blue. Sub-title "ANNETTE KELLERMAN/ AUSTRALIA'S/ FIRST/ SUPERSTAR/ 1886-1975/ The Million Dollar Mermaid" appears below the title in blue. Picture of Annette Kellerman in a bathing suit with arms outstretched appears in the centre. Text in the left half of the poster includes a summary of her achievements and, on the right side text advertises the public showing of scenes from Annette Kellerman's films in the Sydney Opera House's 'Pier Theatre'. A Sydney Opera House logo is featured at bottom.

Marks

On the reverse side in pencil appears the hand written inscription "HA1.5".

Dimensions

Height

1020 mm

Width

755 mm

Production

Made

1976-1980

Notes

This poster was produced by the Sydney Opera House in Sydney, New South Wales, Australia.

History

Notes

This poster advertises the public showing of scenes from Annette Kellerman's films at the Sydney Opera House's 'Pier Theatre' between 1976-1980. It was produced after her death and acquired by the Dennis Wolanski Library at the Sydney Opera House.

Source

Credit Line

Gift of the Dennis Wolanski Library, Sydney Opera House, 2000

Acquisition Date

24 May 2000

Cite this Object

Harvard

'Million Dollar Mermaid' cinema poster 2020, Museum of Applied Arts & Sciences, accessed 28 May 2020, <https://ma.as/9185>

Wikipedia

{{cite web |url=https://ma.as/9185 |title='Million Dollar Mermaid' cinema poster |author=Museum of Applied Arts & Sciences |access-date=28 May 2020 |publisher=Museum of Applied Arts & Sciences, Australia}}

Know more about this object?

TELL US

Have a question about this object?

ASK US