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85/2211 Glass eyes (set of 16) in a tin box, glass / aluminium / tin / wood / paint, by Rudolf Martin, Germany, 1903-1910. Click to enlarge.
  • Image 1 of 2, 85/2211 Glass eyes (set of 16) in a tin box, glass / aluminium / tin / wood / paint, by Rudolf Martin, Germany, 1903-1910. Click to enlarge
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Glass eyes in a tin box by Rudolf Martin

Made
These eyes represent an early stage in the development of prosthetic eyes and add to the Museum's medical collection, in particular prosthetics.

Some people may have one or both eyes removed if they are damaged or diseased. Artificial eyes used to be made of glass and hand painted like these ones. In 2009 they are made of an acrylic material that is hand painted in fine detail, including the blood vessels.

The first known professional ocularists came out of Venice in the late 16th century. …

Summary

Object No.

85/2211

Object Statement

Glass eyes (set of 16) in a tin box, glass / aluminium / tin / wood / paint, by Rudolf Martin, Germany, 1903-1910

Physical Description

Spherical glass eyes with varying pupil sizes and colours including blue, hazel and brown. The glass eyes are housed within a tin box containing an insert with individual cut-outs for each eyeball. A MAAS-made wooden board with circular cut-outs protects the eyeballs from an aluminium cover with eye-lid shaped openings for each eyeball.

Marks

Lid of tin marked in gold lettering 'Augenfarben, TAFEL/NACH/Prof Dr Rud. Martin'.

Short URL

https://ma.as/38774

Dimensions

Height

34 mm

Width

190 mm

Depth

140 mm

Production

Made

Notes

These 16 glass eyes and their surrounding were made by Swiss born Rudolf Martin (1864-1925).

''Martin was a social anthropologist, and initially a professor at the University of Zurich. He later resigned his position at the university and went to work in Paris, where wrote "System der Anthropologie und anthropologischen Bibliographie," which was a forerunner to his work Lehrbuch der Anthropologie. This manuscript was the first comprehensive study in physical anthropology, and remained a reference used by physical anthropologists for many years. He held the chair of anthropology at the University of Munich, until his death in 1925. Martin devoted the last period of his life to studying the effects of the war on the next generation''.(1)

Rudolf Martin developed a colour chart. First marketed in 1903 the Augenfarbentafel or eye colour chart was sold at cost to scientists and researchers (2). It is described as "a slotted aluminium board, in a portable locking black case, held 16 glass eyes progressively arranged in shades from dark brown to light blue, set in place with the surrounding forms of simulated eyelids and soft tissue".

Rudolf Martin's work was appropriated and used by the Nazis. Before Martin died in 1925, he used his energy to promote social welfare programmes. He is quoted as saying 'tolerance is the first step to inner freedom,' (3). Martin's wife was Jewish and survived the 'model' concentration camp, Theresienstaatt.

This example case of glass eyes has no lid or locking device

1 Oetteking, Bruno. Rudolf Martin. American Anthropologist April, 1926 Vol. 28(2): 414-417.
2. p137 colors 1800/1900/2000:signs of ethnic difference by Birgit Tautz
3. p228 From racisim to genocide: anthropology in the Third Reich By Gretchen Engle Schafft

History

Notes

According to Birgit Tautz in "Colours 1880/1900/2000: signs of Ethnic Difference" the eye colour table was based on the somatological studies of various racially defined population samples, comprising a number colour scale corresponding to the gradations in hue and intensity of the artificial irises. The individual person being assessed was positioned in daylight with the eye-colour board held up against his or her left cheek. The scientist stood 50 to 70 cm away and made visual judgement which was correlated to the numerical scale. The individual glass eyes were held in place on the board by four metal tongues. The artificial eyes could be removed for closer examination against the real eye.

The Museum bought these glass eyes at a Sotheby's auction in 1985.

Tautz, Birgit, "Colours 1880/1900/2000: Signs of Ethnic Difference", 2004, pp.137-8.

Source

Credit Line

Purchased 1985

Acquisition Date

5 November 1985

Cite this Object

Harvard

Glass eyes in a tin box by Rudolf Martin 2021, Museum of Applied Arts & Sciences, accessed 25 June 2022, <https://ma.as/38774>

Wikipedia

{{cite web |url=https://ma.as/38774 |title=Glass eyes in a tin box by Rudolf Martin |author=Museum of Applied Arts & Sciences |access-date=25 June 2022 |publisher=Museum of Applied Arts & Sciences, Australia}}

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