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2007/56/3 Posters (2), 'After the confetti, what?', screenprint on paper, designed by Jan MacKay, Sydney, New South Wales, Australia, 1977-1978. Click to enlarge.

Poster, ‘After the confetti, what?’, designed by Jan McKay

Made by in Sydney, New South Wales, Australia, 1977-78.

Poster art has evolved significantly from the early posters first produced in Australia in the early 19th century that only featured text, to the posters in the Di Holdway Collection that are characterised by bold designs and effective use of photographic and graphic screen-print techniques.

This particular poster is from the Di Holdway Collection, an important poster archive that shows the emerging political voice of Australia’s youth culture through poster art; a collection that shows how po...

Summary

Object No.

2007/56/3

Object Statement

Posters (2), 'After the confetti, what?', screenprint on paper, designed by Jan MacKay, Sydney, New South Wales, Australia, 1977-1978

Physical Description

Two identical posters featuring images of two small bride and groom figures on a cake, a man and woman and several wedding rings on a mauve ground, with the slogan 'After the / confetti, / what?? / No offence meant, I'm sure'.

Marks

No marks.

Dimensions

Height

760 mm

Width

510 mm

Production

Designed

Mackay, Jan

Notes

The poster was designed by Jan MacKay between 1977 and 1978. Lynette Finch helped print the poster. A second, similar design was printed in Queensland around 1979-80 with different text.

See also 2007/56/17.

History

Notes

These posters are from the Di Holdway collection of posters accumulated over 20 years in Sydney, Alice Springs and Darwin and largely focuses on the work of print makers who first worked with the Earthworks Poster Collective at the Tin Sheds, University of Sydney. Di's involvement with the Tin Sheds began in 1974 when she was working at the Students Representative Council--initially as a secretary and later as its CEO.

Dianne Margaret Holdway (died 2001) was close to a number of 'Earthworkers', and during 1974-76, volunteered as a printer and 'racker'.

After finishing work at the Students Representative Council, Di worked at the South Sydney Women's Centre and worked closely with the Sydney University Settlement, both located in Chippendale.

In the 1980s, Di worked for Aboriginal organisations in the Northern Territory. Throughout this period, Di kept in touch in particular with Michael Callaghan of Redback Graphix, originally from Earthworks Poster Collective, who was at that stage commissioned to produce posters for a number of Central Australian Aboriginal organisations.

The posters in the Di Holdway Collection reflect their times, of course, but also represent Di's wide political and social interests over a period of two decades from the 1970s to 1990s. They very much represent her friends and work mates from the period.

Some of the posters are represented in public collections such as the Art Gallery of New South Wales and the National Gallery of Australia.

(Extract from notes provided by Chips Mackinolty, Darwin, September 2005)

Source

Credit Line

Gift of Alberto and Demetrio Alati, 2007

Acquisition Date

21 May 2007

Cite this Object

Harvard

Poster, 'After the confetti, what?', designed by Jan McKay 2019, Museum of Applied Arts & Sciences, accessed 13 November 2019, <https://ma.as/365371>

Wikipedia

{{cite web |url=https://ma.as/365371 |title=Poster, 'After the confetti, what?', designed by Jan McKay |author=Museum of Applied Arts & Sciences |access-date=13 November 2019 |publisher=Museum of Applied Arts & Sciences, Australia}}

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