This sandwich doily featuring the Sydney Harbour Bridge forms part of a collection of 19th and 20th century Australian embroidery and needlework, given to the Museum by Ian Rumsey and known as the Ian Rumsey Australian Textiles Collection. The collection was assembled by the donor, a private collector, over two decades and includes doilies, milk jug covers, tablecloths, placemats, towels, banners, aprons, samplers, runners and cushion covers, all featuring Australian motifs. Ian Rumsey was drawn to embroidery and needlework for its extensive use of Australian flora and fauna and other motifs which specifically reference Australia; he collected only well-preserved examples. The use of Australian motifs is strongly indicative of a shift away from the design influences of the United Kingdom towards a more inclusive Australian aesthetic.
The collection represents an important pastime of Australian women of the late 19th to mid 20th century. Women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping off flies and insects from food. Embroidery and crochet work provided a much needed creative outlet for some and a restful leisure activity for others, as a way to commemorate significant events or supplement the family income.