Manipulated road sign

Made in Newcastle, New South Wales, Australia, 1992.

This collection of Richard Tippings street signs link to city landscapes, advertising and the urban environment.
The artist Richard Tipping is known as a ‘visual poet’, he describes his work as ‘concrete poetry’, or poetry which appreciates words and even letters for the way they look, their aesthetic appeal as art objects. This is a unique commentary on Australian signage and public space. These manipulated road signs are a continuing theme in Tipping’s visual punning and urban commentary.
Thes...

Summary

Object No.

2005/235/1

Physical Description

Road sign, manipulated, 'FORM 1 PLANET', aluminium / reflective tape, designed by Richard Tipping, Wangi Wangi, New South Wales, Australia, 1983-1992

Part of the 'roadsigned series' this road sign has been manipulated from the original 'FORM 1 LANE' into 'FORM 1 PLANET'. It is a rectangular sign, white with black lettering. There are photographs of this sign in situ. Tipping first created 'FORM 1 PLANET' signs in 1983.

Marks

It is signed by the author on the back 'Richard Tipping, 1992, FORM 1 LANE, prototype'.

Dimensions

Height

800 mm

Width

600 mm

Production

Notes

Richard Tipping's work (prints or multiples or sculptures) is represented in the National Gallery and National Library, Canberra, state art galleries and university libraries in Australia. Internationally he is represented in the State University of New York at Buffalo, The Ruth and Marvin Sackner Archive of Visual Concrete Poetry, Miami, The Govett-Brewster Art Gallery, Plymouth, New Zealand.

Recent Exhibitions have included:
2003 'Signed signs Public artworks Programme, Brisbane Powerhouse
2003 National Sculpture prize and exhibition
1998: 'Perversions, subversion and verse 'Ubu Gallery', New York
1997:'Hear the Art' The Eagle Gallery, London
1996 'Multiple pleasures' The Art Gallery of New South Wales
1996 'Hear the Art' Lake Macquarie City Art Gallery
1994 Rhumbarellas Gallery- Melbourne,
1994 'Fluxus and Beyond' Queensland Art Gallery
1993-1994 'Lightworks', Museum of Contemporary Art, Sydney
1993 'Luminaries' Monash University Gallery, Melbourne
1993 '5th Australian Sculpture Triennial', Melbourne
1993 Chicago Art Fair
1992-1993 9th Biennale of Sydney: 'The Boundary Rider'
1992 'The Trial' National Gallery of Australia

Publications have included:
Road signs and visual art at www.euronet.nl/users/tempopo/traffic.htm/
'The Sydney Morning', Vols 1-1V, Thorny Devil Press 1989-1994
'Nearer By Far'(poems) University of Queensland Press,1986
'Signs of Australia', (photographs), Penguin Books, 1982
'The Friendly Street Poetry Reader (editor), AUUP, 1977
'Domestic Hardcore'(poems), UQP, 1975


Made according to standard road sign dimensions and with standard material. Australian roadsigns use an international standard design. Made by Broadly Signs, Newcastle.

Made

1992

History

Notes

This copy has been at the 9th Biennale of Sydney in 1992-93.

Source

Credit Line

Gift of Mr Richard Tipping, 2005

Acquisition Date

15 November 2005

Cite this Object

Harvard

Manipulated road sign 2018, Museum of Applied Arts & Sciences, accessed 19 November 2018, <https://ma.as/319000>

Wikipedia

{{cite web |url=https://ma.as/319000 |title=Manipulated road sign |author=Museum of Applied Arts & Sciences |access-date=19 November 2018 |publisher=Museum of Applied Arts & Sciences, Australia}}

Incomplete

This object record is currently incomplete. Other information may exist in a non-digital form. The Museum continues to update and add new research to collection records.

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