The Powerhouse acknowledges the Traditional Custodians of the ancestral homelands upon which our museums are situated. We respect their Elders, past, present and future and recognise their continuous connection to Country.
No image is publicly available for this object
Due to the age of the Museum's collection, some objects have not been digitised yet. Images may also not be available due to copyright, cultural or privacy reasons.
This photograph is one of around 30 images taken during the outbreak of hostilities in Samoa in 1899. This photograph is likely to have been taken some time after the Samoan war as it is a copy of a positive print laid over what appears to be wallpaper. The image itself was almost certainly taken during the 1899 Samoan war. It consists of a group of Samoan fighting men and two women one of whom is armed.
This war was the legacy of an earlier dispute between the Samoan chiefs Tamasese and …
Photographic negative, copy from an original positive print, Samoan fighting men and two women, gelatin / glass, photographer unknown, published by Kerry and Co, Upolu, Samoa, 1899
Physical Description
Photographic negative, copy from an original positive print, Samoan fighting men and two women, gelatin / glass, photographer unknown, published by Kerry and Co., Upolu, Samoa, 1899
A silver gelatin dry plate glass negative in landscape format. The image shows a group of Samoan men and 2 women standing in a cleared area amongst palm trees. Most of the people are holding paddle like weapons. They wear skirts made from plant fibre, neck ornaments or scarfs and some wear anklets made from plant material. A man in the left of the image is carrying a drum. There is a crack in the bottom right corner of the plate. The caption, studio number and studio mark are inscribed on the reverse of the negative.
72F/81 Tyrrell Inventory Number, 107 Kerry Studio Number
Marks
Handwritten caption and studio number across the bottom of the negative reads '107 SAMOAN FIGHTING MEN KERRY PHOTO / SYDNEY'.
Charles Kerry was born in 1858 and by 1885 was running a studio in partnership with C. D. Jones. This partnership lasted until 1892, when Charles became sole owner and changed the studio's name to Kerry and Co.
By 1890 the company was employing a number of photographers who would become famous in their own right. George Bell who covered rural New South Wales was employed in 1890 and Harold Bradley was doing outdoor work and covering events around Sydney by 1899.
Kerry continued to work in the field and in 1895 he took photographs of Royal National Park for New South Wales Government, photographed Queensland artesian bores and was employed by the New South Wales Government to travel the state and photograph Indigenous Australians. In 1897 Kerry led the first party to reach the summit of Mt Kosciuszko in winter conditions and photographed the Jenolan caves.
By 1900 Kerry had turned his studio into one of the largest and most respected photographic establishments in the colony. His new four story premises at 310 George St were designed by the architect H. C. Kent and the third floor studios alone could accommodate 70 people wanting their portraits taken.
In 1913 Kerry retired leaving the running of the studio to his nephew, unfortunately the business did not do well and Kerry and Co. closed its doors in 1917. Kerry himself died in 1928.
Geoff Barker, Curatorial, January, 2009
References Newton, Gael, Shades of Light; Photography and Australia 1839 - 1988, Australian National Gallery, Canberra, 1988 David, Millar, Charles Kerry's Federation Australia, Sydney, David Ell Press, 1981 Tyrrell, James, Australian Aboriginal and South Sea Islands Implements, Weapons and Curios, James Tyrrell, Sydney, 1929
This photographic negative is one of 2900 Kerry & Co. photographs in the Powerhouse Museum's 'Tyrrell Collection' once owned by Sydney bookseller, James Tyrrell. Almost all of these negatives are 21.5 x 20.3 cm (10 x 8 inch) glass plates and many of those now held by the Powerhouse Museum collection would have been used to create postcards. In addition to the Kerry & Co. Studio images, the Tyrrell Collection at the Powerhouse Museum includes glass plate negatives published by Henry King and a number of other negatives by unattributed photographers
James Tyrrell used the images by Kerry & Co. and Henry King to produce his own booklets and views of New South Wales but although full of iconic Australian images, the collection does not appear to have been fully utilised by Tyrrell.
In 1980 the collection was purchased by Australian Consolidated Press who published a limited series of 2000 contact prints from the collection. Housed in boxes copies of these were given to the State Library of New South Wales and the Macleay Museum at the University of Sydney.
In 1985 Australian Consolidated Press donated the collection to the Powerhouse keeping a set of copy prints for themselves. The collection at this time consisted of 7,903 glass plate negatives and 7,916 contact positive prints.
A further 2,500 Kerry & Co. negatives are held in the Macleay Museum at the University of Sydney, although these do not appear to have been acquired from Charles Kerry and Co. by Tyrrell.
Geoff Barker, Curatorial, January, 2009
References Newton, Gael, Shades of Light; Photography and Australia 1839 - 1988, Australian National Gallery, Canberra, 1988 David, Millar, Charles Kerry's Federation Australia, Sydney, David Ell Press, 1981 Tyrrell, James, Australian Aboriginal and South Sea Islands Implements, Weapons and Curios, James Tyrrell, Sydney, 1929
Cite this Object
Harvard
Samoan fighting men and two women, Samoa, 1899 2021, Museum of Applied Arts & Sciences, accessed 1 June 2023, <https://ma.as/28643>
Wikipedia
{{cite web |url=https://ma.as/28643 |title=Samoan fighting men and two women, Samoa, 1899 |author=Museum of Applied Arts & Sciences |access-date=1 June 2023 |publisher=Museum of Applied Arts & Sciences, Australia}}