The Museum of Applied Arts and Sciences acknowledges Australia’s First Nations Peoples as the Traditional Owners and Custodians of the land and gives respect to the Elders – past and present – and through them to all Aboriginal and Torres Strait Islander peoples.
Aboriginal and Torres Strait Islander peoples are advised that the MAAS website contains a range of Indigenous Cultural Material. This includes artworks, artifacts, images and recordings of people who may have passed away, and other objects which may be culturally sensitive.

Collection

85/1284-171 Photographic negative, five swagmen 'On the Wallaby Track', glass / gelatin emulsion, photographed by George Bell (attributed), published by Kerry and Co, Sydney, New South Wales, Australia, 1890-1900. Click to enlarge.
  • Image 1 of 1, 85/1284-171 Photographic negative, five swagmen 'On the Wallaby Track', glass / gelatin emulsion, photographed by George Bell (attributed), published by Kerry and Co, Sydney, New South Wales, Australia, 1890-1900. Click to enlarge

‘On the Wallaby Track’

Made by Kerry, Charles H in Australia, Oceania, c. 1884-1917.
This photographic negative was probably taken by George Bell who worked for the Sydney based company of Charles Kerry and Co. George Bell was employed by the Sydney firm of Kerry and Co. in 1890, and the work he produced over the following ten years, stands amongst the best of this period. Bell's pictures transcended hackneyed journalistic records of people and places, and his best photos, contain a lyrical quality, at odds with the demands of journalistic realism. Between 1890 and 1900 Bell, not only honed his craft, he produced many of his most memorable images. Among the best of these are 'Pioneers', 'On the Road to Dorrigo', 'The Farmers Daughter', 'Rounding Up', and perhaps his best known, 'The Waterbag' or 'Halt for refreshment'. In 1900 he left Kerry's studio, taking up a position as photo-journalist at the Sydney Mail newspaper.

This photographic negative was published by the Sydney firm Charles Kerry & Co. and is part of the Powerhouse Museum's Tyrrell collection which contains over 2,900 glass plate negatives by Kerry & Co. Although a few appear to be from the 1880s most were produced between 1892 and 1917. Over this period, and well into the early 1900s, prints from these negatives appeared in many Australian publications and albums of views. In 1903 the company began producing postcards from these negatives, further establishing the images as some of the most significant and best known early views of New South Wales.

Some of the more significant themes covered by the collection include; views of New South Wales, Queensland, country towns, Sydney, Indigenous Australians, the South Pacific, rural life, native flora and fauna, and sentimental views. In addition there are a number of significant events from the 1900s covered by the collection including; Embarkation of troops for the Boer War, Hordens fire and the Inauguration of the Commonwealth in 1901, the arrival of the Great White Fleet and the Burns verses Johnson boxing match at Rushcutters Bay in 1908.

Geoff Barker, Curatorial, November 2008

References
David, Millar, Charles Kerry's Federation Australia, Sydney, David Ell Press, 1981
Valdon, 'Our Artistic Workers; Mr. George Bell', Australian Photographic Journal, Volume 17, Number 199, December 21, 1908

Summary

Object No.

85/1284-171

Object Statement

Photographic negative, five swagmen 'On the Wallaby Track', glass / gelatin emulsion, photographed by George Bell (attributed), published by Kerry and Co, Sydney, New South Wales, Australia, 1890-1900

Physical Description

Photographic negative, five swagmen 'On the Wallaby Track', glass / gelatin emulsion, photographed by George Bell (attributed), published by Kerry and Co, Sydney, New South Wales, Australia, 1890-1900

Silver gelatin dry plate glass negative in landscape format. The image depicts five swagmen walking on a dirt road. The men are depicted in the centre of the image and are all carrying swags on their backs and have a bag slung over one shoulder. The men are all wearing hats and are dressed similarly. Four men are smoking pipes and are carrying a billy in one hand. The dirst road the men are walking on extends from the foreground to the background of the image. The road has tracks from horsedrawn vehicles and a person riding a horse can be seen in the far background of the image. The bush environment around the road is depicted in the background of the image. The caption, studio number and studio mark are inscribed on the reverse of the negative.

52/12 Tyrrell Inventory Number, 268 Kerry Studio Number

Marks

Caption, studio number and studio mark in image lower left 'ON THE / WALLABY TRACK. / 268. Kerry. Sydney.'
Inscription in plate emulsion verso top right, scratched by hand '268' and 'dup'.

Short URL

https://ma.as/28324

Dimensions

Width

215 mm

Production

Made

Kerry, Charles H Australia, Oceania c. 1884-1917

Made

Kerry and Co Australia, Oceania c. 1884-1917

Notes

Charles Kerry was born in 1858 and by 1885 was running a studio in partnership with C. D. Jones. This partnership lasted until 1892, when Charles became sole owner and changed the studio's name to Kerry and Co.

By 1890 the company was employing a number of photographers who would become famous in their own right. George Bell who covered rural New South Wales was employed in 1890 and Harold Bradley was doing outdoor work and covering events around Sydney by 1899.

Kerry continued to work in the field and in 1895 he took photographs of Royal National Park for New South Wales Government, photographed Queensland artesian bores and was employed by the New South Wales Government to travel the state and photograph Indigenous Australians. In 1897 Kerry led the first party to reach the summit of Mt Kosciuszko in winter conditions and photographed the Jenolan caves.

By 1900 Kerry had turned his studio into one of the largest and most respected photographic establishments in the colony. His new four story premises at 310 George St were designed by the architect H. C. Kent and the third floor studios alone could accommodate 70 people wanting their portraits taken.

In 1913 Kerry retired leaving the running of the studio to his nephew, unfortunately the business did not do well and Kerry and Co. closed its doors in 1917. Kerry himself died in 1928.

Geoff Barker, Curatorial, January, 2009

References
Newton, Gael, Shades of Light; Photography and Australia 1839 - 1988, Australian National Gallery, Canberra, 1988
David, Millar, Charles Kerry's Federation Australia, Sydney, David Ell Press, 1981
Tyrell, James, Australian Aboriginal and South Sea Islands Implements, Weapons and Curios, James Tyrell, Sydney, 1929

History

Used

Australian Consolidated Press Sydney, New South Wales, Australia

Used

Tyrrells Bookshop Sydney, New South Wales, Australia

Used

Tyrrell, James Robert Sydney, New South Wales, Australia

Used

Kerry, Charles H Sydney, New South Wales, Australia

Used

Kerry and Co Sydney, New South Wales, Australia

Notes

This photographic negative is one of 2900 Kerry & Co. photographs in the Powerhouse Museum's 'Tyrrell Collection' once owned by Sydney bookseller, James Tyrrell. Almost all of these negatives are 21.5 x 20.3 cm (10 x 8 inch) glass plates and many of those now held by the Powerhouse Museum collection would have been used to create postcards. In addition to the Kerry & Co. Studio images, the Tyrrell Collection at the Powerhouse Museum includes glass plate negatives published by Henry King and a number of other negatives by unattributed photographers

James Tyrrell used the images by Kerry & Co. and Henry King to produce his own booklets and views of New South Wales but although full of iconic Australian images, the collection does not appear to have been fully utilised by Tyrrell.

In 1980 the collection was purchased by Australian Consolidated Press who published a limited series of 2000 contact prints from the collection. Housed in boxes copies of these were given to the State Library of New South Wales and the Macleay Museum at the University of Sydney.

In 1985 Australian Consolidated Press donated the collection to the Powerhouse keeping a set of copy prints for themselves. The collection at this time consisted of 7,903 glass plate negatives and 7,916 contact positive prints. Of these 493 glass plates were damaged but usable and 13 plates totally broken.

A further 2,500 Kerry & Co. negatives are held in the Macleay Museum at the University of Sydney.

Geoff Barker, Curatorial, November 2008

References
Newton, Gael, Shades of Light; Photography and Australia 1839 - 1988, Australian National Gallery, Canberra, 1988
David, Millar, Charles Kerry's Federation Australia, Sydney, David Ell Press, 1981
Tyrell, James, Australian Aboriginal and South Sea Islands Implements, Weapons and Curios, James Tyrell, Sydney, 1929
Valdon, 'Our Artistic Workers; Mr. George Bell', Australian Photographic Journal, Volume 17, Number 199, December 21, 1908

Cite this Object

Harvard

'On the Wallaby Track' 2019, Museum of Applied Arts & Sciences, accessed 8 July 2020, <https://ma.as/28324>

Wikipedia

{{cite web |url=https://ma.as/28324 |title='On the Wallaby Track' |author=Museum of Applied Arts & Sciences |access-date=8 July 2020 |publisher=Museum of Applied Arts & Sciences, Australia}}
Creative Commons Licence

Copyright for the above image is held by MAAS and may be subject to third-party copyright restrictions. Please contact MAAS Rights and Permissions for information regarding reproduction, copyright and fees. Text is released under Attribution-Non Commercial-No Derivatives licence

  Submit an image license enquiry.

Know more about this object?

TELL US

Have a question about this object?

ASK US