Architectural model of ‘Interbau Moscow’

Made 1994

This model creates a house designed by Harry Seidler for display at a housing exhibition planned for Moscow during the late-1990s. The model represents Seidler’s mature cottage architecture as well as his devotion to the ideals of Modern architecture as represented by display houses designed by its seminal architects.

The proposed Moscow Interbau was an attempt to recreate the idealism and creativity of the Berlin Interbau exhibition of 1957, when several of Modernism’s founding fathers provid...

Summary

97/190/7-1
Architectural model, 'Interbau Moscow', cardboard / plastic / tin plate, designed and made by Harry Seidler and Associates, Australia, 1994.

Architectural model, 'Interbau Moscow', of a domestic house constructed of cardboard with a tin plate roof; plastic cars, people and vegetation and a square, cardboard base. The house is coloured white and features two storeys with undercover parking, reinforced sloping walls extending from the main house, three balconies with perspex railing, doors and windows. The roof is removable to show the interior layout of the house, which is split level. The roof is also sloping and is silver in colour with a pair of chimneys and a sun light. Surrounding the house are eleven trees of variable size, eight people and one red car. The upper surface of the cardboard base has been cut to show the contours of the landscape and is also set at a slightly sloping angle.

Production

This model was designed and made by Harry Seidler and Associates. Harry Seidler's letter offering the donation to the PHM states that this model was 'made in our office'. It is of interest that the accompanying correspondence suggests that another model was made in Moscow from Seidler's designs and exhibited there during 1995.

Harry Seidler (1923-2006) was born in Vienna and fled Nazism via England, Canada and the USA where at Harvard University he was a student of Walter Gropius and Marcel Breuer. Seidler visited Sydney in 1948 to design a home for his parents. His intended return to the USA was halted by numerous requests to design houses similar to Rose Seidler house.

Seidler was one of a generation of new arrivals who internationalised an Anglophile outpost. Another was Dutch engineer Dick Dusseldorp who engaged Seidler to design numerous projects for his Lend Lease construction company. Among these were sophisticated but affordable apartment blocks which lent glamour and liveability to inner city living. Others included major urban redevelopments designed around office towers; Australian Square was the first of these. Seidler also found success internationally, his Australian Embassy in Paris the best-known of several off-shore commissions.

No architect has had a greater impact on Sydney through both his own work and its influence on others. Although Harry Seidler's Modernism was shaped by Europe and the US, Sydney also formed his work and his social presence. Often caricatured as a doctrinaire modernist, Seidler tailored most of his work to Sydney’s climate and topography. Some of his best buildings – Blues Point Tower, Australia Square to name but two - were also his most controversial. As a polemicist, Seidler was less compromising but Sydney’s urban culture benefited from his scorn of the second-rate in design and decision-making. His donation of this model, among others, was typical of his generosity to the Powerhouse and the arts community.

In addition to numerous awards received locally, such as the Royal Australian Institute of Architects Gold Medal, in 1996 Seidler was the recipient of the Royal Institute of British Architects Gold Medal.
1994
Harry Seidler and Associates

Cite this Object

Architectural model of 'Interbau Moscow' 2016, Museum of Applied Arts & Sciences, accessed 24 June 2017, <https://ma.as/156760>
{{cite web |url=https://ma.as/156760 |title=Architectural model of 'Interbau Moscow' |author=Museum of Applied Arts & Sciences |access-date=24 June 2017 |publisher=Museum of Applied Arts & Sciences, Australia}}
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